Sports Interviews

“You can catch ideas at a deeper level when you start meditating. Intuition grows, and intuition is the number one tool for an artist – feeling and thinking combined. The ideas are flowing, and the feeling that you can get it to feel correct. You know what that is. It’s a knowingness that grows. It’s really beautiful.”

“I think I will stop working when I am finally satisfied… And I cannot see that in the foreseeable future. The urge to do better and even better than that is what pushes me forward.”

“You better make every moment count. Live your life now; start in the morning. You mustn’t sit around waiting to die.”

“I’m doing something that I love, and I consider that to be success. But if you think it’s gonna come fast or easy, then you probably are in for some rough times. You need to always be ready to throw things out and do it over again, and know that you love the process enough to be doing it repeatedly. Always be in love with the process and in love with your talent. And know that you’re going to keep doing it because it’s what you love doing.”

“Once I commit to an idea, then I just move forward with it, no matter what. And that's always how I've operated when it comes to my art. I'm kind of tenacious in that way, even if it takes a lifetime, eventually I will make that thing.”

“You’ve got to actually write it. You’ve got to actually sit there and do it, it can’t just be about the experience. Lots of people have fantastic experiences in life, but don’t have any inclination to put pen to paper.”

“I knew what felt instinctively right for me, and I pursued that throughout my entire career. It’s the way I live; it’s the way I work. Everything that I’ve done and everything that I have is an extension of my personal taste.”

“It’s the rollercoaster ride of doing something creative: when it goes well and you enjoy the process then it’s a high and you just want to keep on doing it.”

“I think at a certain point, you arrive to a kind of maturity that allows you to swim more freely. And when you touch that state, playing with your unconscious, it's very beautiful when you when you experience that moment.”

“I feel quite free as an artist. I don't feel that I have to prove anything. It’s a liberating feeling. I can go in any directions, I can explore and embrace whatever I want.”

“Art is about finding creativity in the normal gutter next to you. To see the potential in something where there is no potential in terms of how society sees it is often where art or creativity is a great tool. It’s about making the impossible possible.”

“One day, if you have a little bit of talent and a lot of hard work, you’re going to find out who you are.”

“I remember driving in New York in 1976 and I put the brakes on quickly because there was the very, very first Vogue cover that I ever shot. Big, on a bus shelter! And I remember just pulling over and just staring at it. At that point it was a real dream to see one of your pictures there. I’d always dreamed of doing a Vogue cover!”

“I started a very nice career, became quite successful, and at age 40 I won this prize. But when I got that prize, I realized that I hadn’t yet found my own language of cooking. So I got on my knees and gathered all the tools from my childhood and started working very hard on that. And that’s how it started.”

“The thing I’ve gathered more of over the years is a self-confidence that’s to do with having done work that people have liked.”

“I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”

“My goal when I’m in front of an audience is to perform the piece and fill it with meaning. On stage, I concentrate on rationality and empathy, since the singer must feel a certain amount of emotion, but not too much.”

“I can’t make people happy if I’m not happy myself. That applies to anyone who tries to achieve something in their life: if you’re not happy, you can’t transfer any happiness”

“There's going to be a moment where your work challenges you, where you’re at your limit… But if that deep love is really there, you're not going to abandon it. You are going to give your all to it!”

“The first song that I wrote was the way of discovering if I could write a song. And after that one I knew that I understood the form. Everything after that became more personal.”

“I am very grateful for the films I’ve made. I’ve been able to make movies for $1 million and I’ve been able to make movies for $195 million. I can do what I want in different sizes for different reasons. I have been able to do 10 more movies than I thought I would ever make!”

“I am not that interested at the moment to work for the sake of others, I’m not interested in doing commissions. I'm way more interested in creating art for art's sake and in order to do that I have to believe in myself.”

“I think we've all lived through the pandemic and it has awakened in all of us a concept of time, and how fleeting our time is and can be... I want to apply my energy doing good and creating and hopefully not squandering that. That's what I live for.”

“Filmmaking is never anything less than a beautiful gift. I've been doing this forever, and as hard as it may be, it's never let me down. I have such a will to make these movies!”

“I have a responsibility that lasts a lifetime with my children. They know that I love my work, and they know how I go about it. And I hope that they find work that they love, because nothing can compare to watching your child succeed.”

“Architecture is something that you should be inside and absorbed by. It’s something which convinces you by experience more than impresses you by image.”

“I hope the scale of my works is way bigger than what you see. I hope they live in you.”

“I think it’s just been a long slow burn. I’ve worked fairly consistently, and I’m really grateful — even for the years of not getting so many acting jobs because that means I really appreciate being able to do what I love now.”

“If I want to make a movie and I can at 62, I will. But I want to leave the ring triumphant. I want this guy, this guy you see right now, I want him to be the guy who makes the movies, not the autumn dude.”

“It was eye opening and an education really, a masterclass working with Martin Scorsese on Killers of the Flower Moon. That talent! Of course, you are in the presence of a master, working with him.”

“In the moment when you’re designing a building, it’s the subject. One year later, when you just go back and see it, it’s the object. It becomes part of the city. It starts to sit where it should be sitting.”

“You can’t measure something like who is the best chef in the world. Whether I’m the best or not, no one can really say. However, my restaurant elBulli was certainly the most influential restaurant in the world.”

“I do not consider architecture as art, nor do I consider architects to be artists. However, I do have a strong desire to improve the purity of my expression and put a strong message into my architecture so that I can call it art!”

“We’re going after it. We’re going after what we believe and what we deserve and we’re not taking the back seat anymore. I see an improvement in the way that we as women are standing together and paving the way for the next generations. It’s time for that.”

“To have those magical moments, the ones that require real trust or bravery or letting go, you’ve really gotta swing for the rafters! You’ve got to try and hit it out the park — although you might miss. You’re always trying to hit it into the rafters, and damn the consequences if you don’t make it.”

“I’m using my skills to create architecture that serves humanity. I’m talking about creating space for you so that you can feel comfortable, space that supports your work and activity.”

“I live from my heart. I am not a cerebral person. I will never be. I am 55 years old. I will continue doing things the way I have done them my whole life.”

“I think a big part of writing comes out of an attempt to understand yourself. I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way.”

“I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”

“I think it comes from my desire as a kid to do something artistic that would amaze people, you know? I wanted to do nothing less than that. Those are the projects that I love: figuring out what might just be possible but hasn't been done yet.”