Sports Interviews

“I just want to do everything as good as I possibly can but it is also good to act on an idea and fail — and then you get something out of it. I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”

“I have a moral standard of my own. I know the difference between right and wrong, I know what I feel comfortable with. And if you live up to your own moral standard, you’re going to have a more comfortable life.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“It's just so boring listening to false modesty. I've worked for many, many years so I'm really enjoying that my hard work has paid off… I think you should know your worth!”

“I don’t think I’m ever going to stop wanting to see and experience things. I think the day that you don’t long for that anymore is the day you have kind of given up.”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“It’s been a lot harder than I thought it was going to be to make the films I really dream of making. It’s heartbreaking when that happens, but it’s all okay. It requires patience.”

“If you have to defend something that you like, it makes you to like it even more. My parents hated the comic strips, they hated rock ‘n’ roll, and when they found out what movies I was going to they also were against that. So everything I loved I had to defend.”

“Each of my projects is kind of a marathon run. A lot of them won't make it to the finish line and the only reason they make it is because I go back and nurture them and try to figure everything out.”

“Everybody is amazing at something — some people write music, some people are leaders, some people raise children, some people cook food. If you find what it is that you can offer to your fellow.”

“My whole purpose in life is to communicate what I’m doing. I see myself as a modern nomad and a soldier at the same time. Being mainstream won’t change me because once I have something to perform, a task, then I’m a soldier. And I’ve always been a soldier.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“Of course we all do stupid things when we're young, but that's your way to find boundaries, you know. Have I done stupid things I regret? Yeah. But I can learn from those mistakes and grow. That's what it’s all about.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“It’s important to say no – especially earlier in your career – because life is short and you want to be proud of things that you have done, not ashamed of them.”

“I think the key to having a successful career is to find the thing you do well and do it again and again for the rest of your life. But I’m interested in expanding my language as an artist and as a composer. And I try to expand it with every project.”

“When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”

“The truth. The whole truth, and nothing but the truth, so help me God. And that’s it! May it be ugly, may it be beautiful, may it be perverse, may it be all of those things. That’s it, I can’t lie; it is what it is, unabashed, naked. I expect that of myself, that’s for sure.”

“I think every person who is curious is more fascinating, and exploration is a big part of that. If you know everything in advance, if you're too self-confident, then everything will stop at some point.”

“Any kind of quest for achievement has some kind of a personal drive behind it. I'm sure some people would say that it's obviously about the ego, but on the other hand, it's not as if I'm competing against anybody. It's not as if I'm trying to outdo anybody. It's just me trying to do something to see if I can.”

“I don’t want to be pigeonholed — it’s important to keep evolving, experimenting and reinventing yourself, otherwise it’s like hitting a drum, the same note over and over again. I think you should want to change, to try different things.”

“I’ve been very lucky — I took the risk to do the things that interested me, so I could have no possible complaints. There’s nothing else I could ask for, really, and if I drop dead tomorrow, I would have had a terrific time.”

“Wherever any of us have been wounded, if we dive into what those wounds are, if we go down into and do the hard work within those wounds, we’ll actually find ourselves, we’ll find our real giftedness, a sincere, true giftedness.”

“To be an artist, you must start with a considerable drive; in my case it was a fierce madness, a wildness. I think that’s the mark of an artist, actually, that they are rebellious, unruly… And I was one of them myself.”

“I don’t want to be good. I want to be the best. Even in failing that, you’ll hit a higher mark than if you never tried.”

“Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects.”

“One of the reasons why I have this much success is because I’m hard on myself. Until now, I never really saw myself as a talented chef! I don’t take the easy way. I put in the time. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”

“The more experience you have, the more time you’ve spent on this earth, the more regrets you accumulate. It’s normal. You can’t do everything right, nobody’s perfect. But if you think too much about that, you’re not here. You have to make some efforts to stay open-minded.”

“I really lacked confidence at the very beginning. At first I was quite intimidated! I wasn’t accepted in the kitchen initially, I wasn’t part of the system; the other chefs didn’t welcome me. But in the end, those experiences made all the difference. It freed me.”

“If people don’t like the pictures, I don’t care. To me, there’s only one point of view: that’s mine.”

“Failure is just something you have to go through on your own. Nothing can prepare you for it, just like a broken heart. I thought about folding, but I’m not a quitter. I’m not going to quit.”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“I like the accidents, the things that happen by chance. I let the life come to the picture and the creativity flow.”

“I’m trying to not play it safe. I learn more when I fail than when I succeed, so if I push myself to do something that’s really difficult, I could fail and I’ll learn a lot. But if I don’t fail, then I’ll be in a great movie. I hope to be the kind of actor that isn’t always great.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“I never thought of art as a career. I thought it was more like a monastic practice. It is something that you do – you can't not do it. If I made money doing it, I would do it; if I didn't make any money, I would do it. Obviously I’m not perfect but the thing I am best at is painting.”