Sports Interviews

“I think at a certain point, you arrive to a kind of maturity that allows you to swim more freely. And when you touch that state, playing with your unconscious, it's very beautiful when you when you experience that moment.”

“I take everything as seriously as the next thing. I don't differentiate or have a level of commitment based on the kind of project that it is. I believe that there's an equal measure in one role versus another role.”

“People have said that before, “Oh, I'll read a recipe and know it's yours before I see your name on it.” That's the best compliment because I feel like working with food is such an extension of my personality.”

“I can’t make people happy if I’m not happy myself. That applies to anyone who tries to achieve something in their life: if you’re not happy, you can’t transfer any happiness”

“You can’t measure something like who is the best chef in the world. Whether I’m the best or not, no one can really say. However, my restaurant elBulli was certainly the most influential restaurant in the world.”

“To fight this game alone is actually every day a struggle. Sometimes you are not in the best shape. The biggest thing is that you must find in it a personal happiness.”

“Most people make art and movies as a job and if a lot of people go to see it they make money and that is their sign of success. I am not making judgment here, but their goal is strictly business-oriented. I don't do this as a business.”

“I want to make classical instruments sound unexpected. Constructing it yourself means that you don’t need to do so much so that it sounds like yours. You know it’s the only one. It’s yours. You own the sound.”

“I think all the roles of my career have presented me with opportunities for my own personal growth. Roles that really push you out of your comfort zone, it really helps you to grow, and it then brings you greater capacity for love within yourself and love for others.”

“There is something in leaving this place better than where you have left it, working on yourself, doing things with other people, there is something in that that feels right, deep in your core. I go with that.”

“I remember driving in New York in 1976 and I put the brakes on quickly because there was the very, very first Vogue cover that I ever shot. Big, on a bus shelter! And I remember just pulling over and just staring at it. At that point it was a real dream to see one of your pictures there. I’d always dreamed of doing a Vogue cover!”

“Every time you hear a piece of music that you’ve written, you remember the joy of it. Even if you don’t remember exactly what the writing process was like, there’s a moment where you hear it and your heart is full. It’s a similar emotion like when you are in love with someone, you feel that internal joy.”

“For me, success is having integrity and really staying true to my own voice. When I was younger, maybe it was more about the big spaces and getting awards. But now I’m prioritizing more this idea of having a beautiful process.”

“To have those magical moments, the ones that require real trust or bravery or letting go, you’ve really gotta swing for the rafters! You’ve got to try and hit it out the park — although you might miss. You’re always trying to hit it into the rafters, and damn the consequences if you don’t make it.”

“I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”

“We are consumed with existence, mortgages, jobs, cars, houses. It is nice to allow the imagination room to breathe again and see life as something that is spectacular and magic.”

“I’m doing something that I love, and I consider that to be success. But if you think it’s gonna come fast or easy, then you probably are in for some rough times. You need to always be ready to throw things out and do it over again, and know that you love the process enough to be doing it repeatedly. Always be in love with the process and in love with your talent. And know that you’re going to keep doing it because it’s what you love doing.”

“I want to be an authentic person. I start to feel that it’s a mission. I am not going to hold back on an opinion I have about something; I don’t know what the point of that would be.”

“My goal when I’m in front of an audience is to perform the piece and fill it with meaning. On stage, I concentrate on rationality and empathy, since the singer must feel a certain amount of emotion, but not too much.”

“I consider myself a storyteller. I feel that is what good directors do, they are really just following criteria: is this a good story? Is this the story I want to tell? All we’re trying to do is the hard task of making interesting, thought-provoking films.”

“I’m 80 years old now, and little by little over your lifetime you begin to understand things that you didn’t understand earlier.”

“It was eye opening and an education really, a masterclass working with Martin Scorsese on Killers of the Flower Moon. That talent! Of course, you are in the presence of a master, working with him.”

“The journey is everything! It’s a cliché, but I have really felt it in my own life, in the 25 or 30 years I’ve been in this… The goal is the process, really enjoying the process.”

“I don’t pander to anybody. I don’t care who it is. I just do the picture I do.”

“For the first 20 years in my career all I did was add things; more courses, more silverware, more ingredients, adding, adding, adding. Only like three years ago or so I was able to really start focusing on removing and felt confident to do so. I finally created a dish where for the first time I felt like I achieved what I tried to do for 23 years.”

“It's important for a novelist to use the imagination like a musician, a composer or a painter would, in a kind of non-logical way. I think it’s very important for me to not just become a kind of intellectual writer.”

“I don’t want to continue to do what I did when I was 20. I would like to continue to develop myself .”

“I started a very nice career, became quite successful, and at age 40 I won this prize. But when I got that prize, I realized that I hadn’t yet found my own language of cooking. So I got on my knees and gathered all the tools from my childhood and started working very hard on that. And that’s how it started.”

“The game of basketball means everything. This is love. Definitely love. I had to practice and I had to make sacrifices, but basketball has given me so much.”

“The bottom line in the end is to grab the heart of the audience and talk to them directly and tell them: "I share with you my soul and my heart."”

“To do something no one else has ever done, it’s satisfying, but the thing is nobody else is really playing the game of free solo climbing, so it's easy to win when no one else plays, you know?”

“I do not consider architecture as art, nor do I consider architects to be artists. However, I do have a strong desire to improve the purity of my expression and put a strong message into my architecture so that I can call it art!”

“I think the final circle in being an artist is connecting, making some conversation to the world you’re in. I think if you have that feeling of why you need to do something, you’ll find a way. And I think that really takes you forward!”

“I am not that interested at the moment to work for the sake of others, I’m not interested in doing commissions. I'm way more interested in creating art for art's sake and in order to do that I have to believe in myself.”

“I think it’s just been a long slow burn. I’ve worked fairly consistently, and I’m really grateful — even for the years of not getting so many acting jobs because that means I really appreciate being able to do what I love now.”

“I knew what felt instinctively right for me, and I pursued that throughout my entire career. It’s the way I live; it’s the way I work. Everything that I’ve done and everything that I have is an extension of my personal taste.”

“I struggled a lot. That was the reason I became a champion. A lot of people give up, a lot of people feel sorry for themselves. But I didn't.”

“From the beginning, I wanted to protect the clothes themselves from fashion, and at the same time protect the woman’s body. I wanted people to keep on wearing my clothes for at least 10 years or more.”

“I’ve learned that with time also comes pleasure: the pleasure of creating but also upholding the legacy that’s been passed down to me.”

“When I was younger I used to have more anxiousness to obtain things. But there are moments in which you obtain those things and then you relax.”