Music Interviews

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“I would say that a strong work ethic is a vital ingredient for success. That’s something I was born with, I’m convinced of it; it was nothing that I acquired. If you take on anything, you try to do it your best.”

“I think every person who is curious is more fascinating, and exploration is a big part of that. If you know everything in advance, if you're too self-confident, then everything will stop at some point.”

“The only thing that you have to be very sure of is that nothing can go wrong. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient.”

“I can’t make people happy if I’m not happy myself. That applies to anyone who tries to achieve something in their life: if you’re not happy, you can’t transfer any happiness to anyone else.”

“We're not having to run from predatory animals like we did for hundreds of thousands of years before. So now we have to make up new activities to fulfill those emotional needs. There is a certain something about the ever-present danger of death that makes living so great.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“I don’t think I’m ever going to stop wanting to see and experience things. I think the day that you don’t long for that anymore is the day you have kind of given up.”

“It’s easy to have inspiration and have a vision and an aesthetic, but if you don’t have the execution and you don’t get it out there properly and on time, it doesn’t matter. It’ll sink.”

“Life is confounding and who knows what’s around the next corner. But in many ways uncertainty can be exhilarating—there’s a lot of freedom in it. It would be a shame to waste our snippet of time on this planet being afraid.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“I have a moral standard of my own. I know the difference between right and wrong, I know what I feel comfortable with. And if you live up to your own moral standard, you’re going to have a more comfortable life.”

“When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”

“It’s a huge peace to allow yourself to be vulnerable. You gain a sense of freedom and understanding and forgiveness for being human. Instead of trying to control things and make it the way you want them, you have to be more open.”

“Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years.”

“I act on intuition. I just let my intuition go in situations of fear. I live from my heart. I will continue doing things the way I have done them my whole life. And it gave me mostly a great time.”

“Follow the things you love! Follow the things that you are intensely passionate about. Follow the things that you like to do, which often to others might seem unimportant.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“I’m doing things more personally than ever before because that’s what my project is based on, that’s who I am and I have never been this happy my whole life — but it was a long road to get here.”

“I think as you are growing up, deciding what you want to do is really the process of elimination rather than gravitating towards something until you land on what really makes you happy.”

“Art is something about everyday life. Art is about finding creativity in the normal gutter next to you. To see the potential in something where there is no potential is often where art or creativity is a great tool. It’s about making the impossible possible.”

“I believe that you’re a result of the choices that you make. Each action has a reaction. Somehow it’s just all connected and I wouldn’t change any of it.”

“Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects.”

“I’ve been through some incredibly tough times in my career but I persevered and came out the other side. And that teaches you strength, how to handle being put under pressure. Experience is a big thing — just knowing that you can pull yourself back up again.”

“It all comes down to realizing how good you are and really consciously working with that. I think as an artist we always try to hide the imperfections. But the imperfections are there because we’re all humans, and this is what makes us interesting.”

“I was always trying to innovate; I don’t like repetition. Time is something that changes every moment, it’s never repetitive — I try to follow this example.”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“I don’t want to only do what I know how to do. I want to be pushed somewhere else.”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“When you’re young so many things happen and it’s really hard, but you have to fight. Sometimes to get what you want you need to have a really strong past to make sure that you become a warrior and you are not scared about anything and you fight through the night.”

“There is a thing called discipline. If you really want to do it, you’ve got to put in the work. Work, work, work, work. Practice, practice, practice, practice.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“Wherever any of us have been wounded, if we dive into what those wounds are, if we go down into and do the hard work within those wounds, we’ll actually find ourselves, we’ll find our real giftedness, a sincere, true giftedness.”

“As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.”

“One day I realized that it didn’t matter whether people loved me or not. I was released of all that insecurity when I released myself from that fantasy and came to the conclusion that I could be happy making music regardless of whether I was successful or not.”

“I think you know when you’re playing it safe, when you’re stagnating, and when you’re growing. It’s probably an ongoing thing for all of us — and a tricky balance. I try to learn at least one thing on every album, to reach out. I become my own teacher.”

“I think it’s so good to try new things and open the window and let some fresh air in and try to eliminate any regrets.”

“I try not to look back. I’m looking forward. I’m worried more about what I’m going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.”

“You can look at these tough times as an opportunity to get closer and to learn from each other. I learned a lot from my wife. There are so many things that pop up. If you are paying attention, you can learn every second of the day. Life is my guru.”

“Right now we are 40 people working in Osteria Francescana, for 28 or 30 covers a night. So, it’s totally the opposite of a business. You cannot survive with that. But we believe in those kinds of dreams and so I keep investing, and reinvesting, and reinvesting.”