Music Interviews

“At what point do you feel you’ve achieved it and you can move on? I think you usually have to start thinking, ‘So what’s next?’”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“Art is something about everyday life. Art is about finding creativity in the normal gutter next to you. To see the potential in something where there is no potential is often where art or creativity is a great tool. It’s about making the impossible possible.”

“I think the key to having a successful career is to find the thing you do well and do it again and again for the rest of your life. But I’m interested in expanding my language as an artist and as a composer. And I try to expand it with every project.”

“The journey of an artist is a journey of discovery and some engagement with the nature of material, with bodily things and all that has led me to this place. I’m really interested in that as a process because the process moves you in directions that you couldn’t rationally put there.”

“Risks are very important to me. It’s the only thing that will define the next career move or else I’ll be plateauing. I’ll be completely stale if I don’t take risks. And that’s not just my career.”

“Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“Any kind of quest for achievement has some kind of a personal drive behind it. I'm sure some people would say that it's obviously about the ego, but on the other hand, it's not as if I'm competing against anybody. It's not as if I'm trying to outdo anybody. It's just me trying to do something to see if I can.”

“Follow the things you love! Follow the things that you are intensely passionate about. Follow the things that you like to do, which often to others might seem unimportant.”

“Being creative and keeping your brain occupied is very sensible because if you don’t you die, slowly. Sometimes I feel tired and think I ought to give it up, I don’t want to just retire. I enjoy it all.”

“I was a soldier in Korea and I got into a situation where I knew I was going to die. The rest of my life I have lived every bloody moment from the moment I wake up until the time I go to sleep.”

“I am tireless, I’m relatively fearless. It’s hard to hear “no” all the time. It can be tough; you have to have the stomach for it.”

“I’ve been very lucky — I took the risk to do the things that interested me, so I could have no possible complaints. There’s nothing else I could ask for, really, and if I drop dead tomorrow, I would have had a terrific time.”

“I think my love of pushing the boundaries in film comes from my desire as a kid to do something artistic that would amaze people. I wanted to do nothing less than that. Those are the projects that I love: figuring out what might just be possible but hasn't been done yet.”

“When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”

“I always try to concentrate on the process and where the real goal is, which is trying to get up every day and be the best possible version of myself and do the best work I can do.”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”

“To be an artist, you must start with a considerable drive; in my case it was a fierce madness, a wildness. I think that’s the mark of an artist, actually, that they are rebellious, unruly… And I was one of them myself.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“There is something quite beautiful with the art thing, that you can only hold it back for so long and then you have to do it.”

“I try not to look back. I’m looking forward. I’m worried more about what I’m going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.”

“I don’t like plan Bs. If you don’t have a plan B, then you can’t take plan B. Don’t give yourself an out.”

“I have a tattoo that goes around my right wrist that looks like barbed wire, but it’s actually ANDAND linked together, which stands for “A New Dawn, A New Day.” It’s about waking up every day knowing that you have a chance to start again and forgive and be forgiven and to let go of yesterday.”

“Just about anything is possible if you can find the map or the blueprint to get there. I think you’re only limited by your imagination.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. And then when we’re performing, I want to do it a bit more. There’s no reason we can’t.”

“I don’t regret anything. I feel that I’ve made what I would call mistakes. But everything you do is a part of you. And you get something from it. The idea and excitement of being in these situations and places — they are more than just memories, they inform your life.”

“As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.”

“I act on intuition. I just let my intuition go in situations of fear. I live from my heart. I will continue doing things the way I have done them my whole life. And it gave me mostly a great time.”

“The only thing that you have to be very sure of is that nothing can go wrong. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient.”

“I think it’s so good to try new things and open the window and let some fresh air in and try to eliminate any regrets.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“Right now we are 40 people working in Osteria Francescana, for 28 or 30 covers a night. So, it’s totally the opposite of a business. You cannot survive with that. But we believe in those kinds of dreams and so I keep investing, and reinvesting, and reinvesting.”

“My whole purpose in life is to communicate what I’m doing. I see myself as a modern nomad and a soldier at the same time. Being mainstream won’t change me because once I have something to perform, a task, then I’m a soldier. And I’ve always been a soldier.”

“I have to free myself from my creation, I have to send it off, I have to give it up. And that is also the beauty, that you pass on something, that you let something live, that you allow it to confront. To get in contact with others.”

“You have to open yourself. Just as in life you have to be open to other people, to other perspectives — it’s the same thing when you write. That’s what religion’s about, that’s what literature’s about, it’s what life’s about: the stories that you build.”