Music Interviews

“I have a tattoo that goes around my right wrist that looks like barbed wire, but it’s actually ANDAND linked together, which stands for “A New Dawn, A New Day.” It’s about waking up every day knowing that you have a chance to start again and forgive and be forgiven and to let go of yesterday.”

“The only thing that you have to be very sure of is that nothing can go wrong. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“I don’t want to be good. I want to be the best. Even in failing that, you’ll hit a higher mark than if you never tried.”

“There is a thing called discipline. If you really want to do it, you’ve got to put in the work. Work, work, work, work. Practice, practice, practice, practice.”

“One day I realized that it didn’t matter whether people loved me or not. I was released of all that insecurity when I released myself from that fantasy and came to the conclusion that I could be happy making music regardless of whether I was successful or not.”

“Just about anything is possible if you can find the map or the blueprint to get there. I think you’re only limited by your imagination.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“My work and my life are the same thing to me. I don’t have a life on one side and work on the other side. My entire life has been my work. I don’t have a family, I am by myself, I have made very strict choices.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“I don’t think I’m ever going to stop wanting to see and experience things. I think the day that you don’t long for that anymore is the day you have kind of given up.”

“We're not having to run from predatory animals like we did for hundreds of thousands of years before. So now we have to make up new activities to fulfill those emotional needs. There is a certain something about the ever-present danger of death that makes living so great.”

“You can look at these tough times as an opportunity to get closer and to learn from each other. I learned a lot from my wife. There are so many things that pop up. If you are paying attention, you can learn every second of the day. Life is my guru.”

“If you have to defend something that you like, it makes you to like it even more. My parents hated the comic strips, they hated rock ‘n’ roll, and when they found out what movies I was going to they also were against that. So everything I loved I had to defend.”

“I have to free myself from my creation, I have to send it off, I have to give it up. And that is also the beauty, that you pass on something, that you let something live, that you allow it to confront. To get in contact with others.”

“You have to open yourself. Just as in life you have to be open to other people, to other perspectives — it’s the same thing when you write. That’s what religion’s about, that’s what literature’s about, it’s what life’s about: the stories that you build.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“One of the reasons why I have this much success is because I’m hard on myself. Until now, I never really saw myself as a talented chef! I don’t take the easy way. I put in the time. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”

“Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects.”

“I like the accidents, the things that happen by chance. I let the life come to the picture and the creativity flow.”

“Risks are very important to me. It’s the only thing that will define the next career move or else I’ll be plateauing. I’ll be completely stale if I don’t take risks. And that’s not just my career.”

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was sixteen and my work is my life and my life is my work. It made me who I am.”

“I believe that you’re a result of the choices that you make. Each action has a reaction. Somehow it’s just all connected and I wouldn’t change any of it.”

“To be an artist, you must start with a considerable drive; in my case it was a fierce madness, a wildness. I think that’s the mark of an artist, actually, that they are rebellious, unruly… And I was one of them myself.”

“I was a soldier in Korea and I got into a situation where I knew I was going to die. The rest of my life I have lived every bloody moment from the moment I wake up until the time I go to sleep.”

“The recognition of luck is extraordinarily important — as well as making the best of it and creating to the best of your capabilities on that one opportunity you’re given so that it doesn’t end up in the museum of errors.”

“I’ve been through some incredibly tough times in my career but I persevered and came out the other side. And that teaches you strength, how to handle being put under pressure. Experience is a big thing — just knowing that you can pull yourself back up again.”

“Life is confounding and who knows what’s around the next corner. But in many ways uncertainty can be exhilarating—there’s a lot of freedom in it. It would be a shame to waste our snippet of time on this planet being afraid.”

“Each of my projects is kind of a marathon run. A lot of them won't make it to the finish line and the only reason they make it is because I go back and nurture them and try to figure everything out.”

“The truth. The whole truth, and nothing but the truth, so help me God. And that’s it! May it be ugly, may it be beautiful, may it be perverse, may it be all of those things. That’s it, I can’t lie; it is what it is, unabashed, naked. I expect that of myself, that’s for sure.”

“I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”

“Being creative and keeping your brain occupied is very sensible because if you don’t you die, slowly. Sometimes I feel tired and think I ought to give it up, I don’t want to just retire. I enjoy it all.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“Everybody is amazing at something — some people write music, some people are leaders, some people raise children, some people cook food. If you find what it is that you can offer to your fellow.”

“If you work with somebody for a long time, you have to challenge them otherwise you jeopardize your relationship. You have to constantly reinterpret your work together and provide a new vision of your relationship.”

“I have a moral standard of my own. I know the difference between right and wrong, I know what I feel comfortable with. And if you live up to your own moral standard, you’re going to have a more comfortable life.”

“I think every person who is curious is more fascinating, and exploration is a big part of that. If you know everything in advance, if you're too self-confident, then everything will stop at some point.”

“Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years.”