Food Interviews

“The success of translating an idea into action is very often where the talent is to be found. If you can give a body to the idea, I think you are onto a very interesting process.”

“What I am looking for in this world is a sense of not feeling alone, and that’s one of the greatest gifts you can give to another person. I hope that my work does that. I hope that when people leave the theater they feel less alone.”

“For the first 20 years in my career all I did was add things; more courses, more silverware, more ingredients, adding, adding, adding. Only like three years ago or so I was able to really start focusing on removing and felt confident to do so. I finally created a dish where for the first time I felt like I achieved what I tried to do for 23 years.”

“I remember driving in New York in 1976 and I put the brakes on quickly because there was the very, very first Vogue cover that I ever shot. Big, on a bus shelter! And I remember just pulling over and just staring at it. At that point it was a real dream to see one of your pictures there. I’d always dreamed of doing a Vogue cover!”

“I’m using my skills to create architecture that serves humanity. I’m talking about creating space for you so that you can feel comfortable, space that supports your work and activity.”

“The guys who are real artists are people who have figured out the art of living; their art is art because they live. They have made living an art, they have made an art of living. They are constantly inputting life as opposed to expressing life.”

“I think it’s just been a long slow burn. I’ve worked fairly consistently, and I’m really grateful — even for the years of not getting so many acting jobs because that means I really appreciate being able to do what I love now.”

“I think all the roles of my career have presented me with opportunities for my own personal growth. Roles that really push you out of your comfort zone, it really helps you to grow, and it then brings you greater capacity for love within yourself and love for others.”

“I think we've all lived through the pandemic and it has awakened in all of us a concept of time, and how fleeting our time is and can be... I want to apply my energy doing good and creating and hopefully not squandering that. That's what I live for.”

“It was eye opening and an education really, a masterclass working with Martin Scorsese on Killers of the Flower Moon. That talent! Of course, you are in the presence of a master, working with him.”

“I would like to think that someday I will be content enough with myself and feel good enough about myself to think I don’t need to do all that sort of shit and I’ll just go and watch tomatoes grow or something.”

“I started a very nice career, became quite successful, and at age 40 I won this prize. But when I got that prize, I realized that I hadn’t yet found my own language of cooking. So I got on my knees and gathered all the tools from my childhood and started working very hard on that. And that’s how it started.”

“To fight this game alone is actually every day a struggle. Sometimes you are not in the best shape. The biggest thing is that you must find in it a personal happiness.”

“I think I will stop working when I am finally satisfied… And I cannot see that in the foreseeable future. The urge to do better and even better than that is what pushes me forward.”

“Art is something that you do – you can't not do it. If I made money doing it, I would do it; if I didn't make any money, I would do it.”

“I discovered early on that I’m the kind of person that experiments and makes mistakes but then it’s all worth it because once in a blue moon it hits home.”

“For me, success is having integrity and really staying true to my own voice. When I was younger, maybe it was more about the big spaces and getting awards. But now I’m prioritizing more this idea of having a beautiful process.”

“I feel quite free as an artist. I don't feel that I have to prove anything. It’s a liberating feeling. I can go in any directions, I can explore and embrace whatever I want.”

“You don’t think of your roles as achievements. You think of the roles you play, the paintings you’ve made. I mean, imagine an actor saying, “I don’t want to go on anymore because I can’t do better than the last movie I made. I might as well quit now.” We’d call that resting on your laurels.”

“You’ve got to actually write it. You’ve got to actually sit there and do it, it can’t just be about the experience. Lots of people have fantastic experiences in life, but don’t have any inclination to put pen to paper.”

“I hope the scale of my works is way bigger than what you see. I hope they live in you.”

“I want to make classical instruments sound unexpected. Constructing it yourself means that you don’t need to do so much so that it sounds like yours. You know it’s the only one. It’s yours. You own the sound.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was 16. My work is my life and my life is my work. It made me who I am.”

“Architecture is something that you should be inside and absorbed by. It’s something which convinces you by experience more than impresses you by image.”

“There is something in leaving this place better than where you have left it, working on yourself, doing things with other people, there is something in that that feels right, deep in your core. I go with that.”

“If I should be fortunate enough to make another film, it would be exactly what I have settled upon as what is right for me. I feel that these days, I understand a little more what the cinema is.”

“When I swing and miss with a movie or a play, it’s life or death for me. I feel I don’t have any value, that there is no reason someone would want to be friends with me, that kind of thing… I think that is something that’s not going to change, so I try to use it as motivation.”

“As a photographer, as long as I remain truthful with myself in the transaction, as long as I maintain a level of empathy for my humanity in that process, then what is being translated back is honest and the transaction is not objectified.”

“If it sounds right, then I’m happy, no matter how I got there. I just want to make beautiful music.”

“I think at a certain point, you arrive to a kind of maturity that allows you to swim more freely. And when you touch that state, playing with your unconscious, it's very beautiful when you when you experience that moment.”

“The bottom line in the end is to grab the heart of the audience and talk to them directly and tell them: "I share with you my soul and my heart."”

“My goal when I’m in front of an audience is to perform the piece and fill it with meaning. On stage, I concentrate on rationality and empathy, since the singer must feel a certain amount of emotion, but not too much.”

“I am Valentino. I live in my own world. I love to create clothes, I love beautiful things. If they want to call me an icon, okay, then I am an icon.”

“Making a movie comes with a great deal of joy, an incredible amount of hard work and equal amounts of stress, pressure, fun, and anxiety. But ultimately it’s extremely rewarding! I have the best job in the world.”

“I think for me in my life, the most useful thing that I aspire to be is just being as self-aware and as honest with myself as possible. I think if you’re doing that then probably everything else will follow.”

“I’m doing something that I love, and I consider that to be success. But if you think it’s gonna come fast or easy, then you probably are in for some rough times. You need to always be ready to throw things out and do it over again, and know that you love the process enough to be doing it repeatedly. Always be in love with the process and in love with your talent. And know that you’re going to keep doing it because it’s what you love doing.”

“I’ve learned not to look at sales reports. I used to, but if I had listened to sales reports at the beginning, I would have given up on things that are some of our biggest successes now.”

“when we finally put a piece together for the first time, seeing it all together, when it actually works… The excitement in the room is something I’ll never forget. It feels like a very powerful moment to be part of.”

“The entire aim of my work is to elevate the human spirit.”

“You can catch ideas at a deeper level when you start meditating. Intuition grows, and intuition is the number one tool for an artist – feeling and thinking combined. The ideas are flowing, and the feeling that you can get it to feel correct. You know what that is. It’s a knowingness that grows. It’s really beautiful.”