Food Interviews

“You don’t think of your roles as achievements. You think of the roles you play, the paintings you’ve made. I mean, imagine an actor saying, “I don’t want to go on anymore because I can’t do better than the last movie I made. I might as well quit now.” We’d call that resting on your laurels.”

“I think it’s just been a long slow burn. I’ve worked fairly consistently, and I’m really grateful — even for the years of not getting so many acting jobs because that means I really appreciate being able to do what I love now.”

“The game of basketball means everything. This is love. Definitely love. I had to practice and I had to make sacrifices, but basketball has given me so much.”

“The first song that I wrote was the way of discovering if I could write a song. And after that one I knew that I understood the form. Everything after that became more personal.”

“I’ve learned that with time also comes pleasure: the pleasure of creating but also upholding the legacy that’s been passed down to me.”

“We’re going after it. We’re going after what we believe and what we deserve and we’re not taking the back seat anymore. I see an improvement in the way that we as women are standing together and paving the way for the next generations. It’s time for that.”

“I just try to live my life and just be who I am. If people really accept me they have to accept me as I am, you know what I mean? My highs and my lows and my vulnerabilities… It's who I am as a human being.”

“I do not consider architecture as art, nor do I consider architects to be artists. However, I do have a strong desire to improve the purity of my expression and put a strong message into my architecture so that I can call it art!”

“I think the mark of a great song, photo or a painting is something you can remember. It’s kind of that simple. If you work at it, there will be times when the intangible becomes tangible and for a moment… You are a wizard.”

“There’s only one of you in the world. No one else is like you and that's a superpower.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was 16. My work is my life and my life is my work. It made me who I am.”

“It’s the rollercoaster ride of doing something creative: when it goes well and you enjoy the process then it’s a high and you just want to keep on doing it.”

“For me, success is having integrity and really staying true to my own voice. When I was younger, maybe it was more about the big spaces and getting awards. But now I’m prioritizing more this idea of having a beautiful process.”

“You’ve got to actually write it. You’ve got to actually sit there and do it, it can’t just be about the experience. Lots of people have fantastic experiences in life, but don’t have any inclination to put pen to paper.”

“Every time you hear a piece of music that you’ve written, you remember the joy of it. Even if you don’t remember exactly what the writing process was like, there’s a moment where you hear it and your heart is full. It’s a similar emotion like when you are in love with someone, you feel that internal joy.”

“I thought for a long time as the business grew, “Is this something I want to do for the rest of my life?” And I knew it was not. When I left Calvin Klein, I had done almost everything I wanted to do in terms of creation of products. And re-doing was less fun.”

“To fight this game alone is actually every day a struggle. Sometimes you are not in the best shape. The biggest thing is that you must find in it a personal happiness.”

“I struggled a lot. That was the reason I became a champion. A lot of people give up, a lot of people feel sorry for themselves. But I didn't.”

“There is something in leaving this place better than where you have left it, working on yourself, doing things with other people, there is something in that that feels right, deep in your core. I go with that.”

“It was eye opening and an education really, a masterclass working with Martin Scorsese on Killers of the Flower Moon. That talent! Of course, you are in the presence of a master, working with him.”

“I remember driving in New York in 1976 and I put the brakes on quickly because there was the very, very first Vogue cover that I ever shot. Big, on a bus shelter! And I remember just pulling over and just staring at it. At that point it was a real dream to see one of your pictures there. I’d always dreamed of doing a Vogue cover!”

“One day, if you have a little bit of talent and a lot of hard work, you’re going to find out who you are.”

“We have such a short time on this earth, and when you give that opportunity to somebody younger, and they pass it on to the next generation… That’s real success.”

“I think for me in my life, the most useful thing that I aspire to be is just being as self-aware and as honest with myself as possible. I think if you’re doing that then probably everything else will follow.”

“I started a very nice career, became quite successful, and at age 40 I won this prize. But when I got that prize, I realized that I hadn’t yet found my own language of cooking. So I got on my knees and gathered all the tools from my childhood and started working very hard on that. And that’s how it started.”

“I dreamed of winning the Olympics since I was nine years old. That was definitely the most memorable race of my career. But the next day I woke up, and I wanted to win the next race.”

“I’m doing something that I love, and I consider that to be success. But if you think it’s gonna come fast or easy, then you probably are in for some rough times. You need to always be ready to throw things out and do it over again, and know that you love the process enough to be doing it repeatedly. Always be in love with the process and in love with your talent. And know that you’re going to keep doing it because it’s what you love doing.”

“The thing I’ve gathered more of over the years is a self-confidence that’s to do with having done work that people have liked.”

“I want to make classical instruments sound unexpected. Constructing it yourself means that you don’t need to do so much so that it sounds like yours. You know it’s the only one. It’s yours. You own the sound.”

“The guys who are real artists are people who have figured out the art of living; their art is art because they live. They have made living an art, they have made an art of living. They are constantly inputting life as opposed to expressing life.”

“As a director, what I hope is to create situations where the actors will be able to be alive like real people even in the context of something that is quite manufactured.”

“I live from my heart. I am not a cerebral person. I will never be. I am 55 years old. I will continue doing things the way I have done them my whole life.”

“What I am looking for in this world is a sense of not feeling alone, and that’s one of the greatest gifts you can give to another person. I hope that my work does that. I hope that when people leave the theater they feel less alone.”

“I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”

“when we finally put a piece together for the first time, seeing it all together, when it actually works… The excitement in the room is something I’ll never forget. It feels like a very powerful moment to be part of.”

“It's important for a novelist to use the imagination like a musician, a composer or a painter would, in a kind of non-logical way. I think it’s very important for me to not just become a kind of intellectual writer.”

“When you keep yourself open, you just might get to know yourself and know the good things about yourself. And that's why I always come back to songwriting. It's the way I kind of try and make sense of my life.”

“The journey is everything! It’s a cliché, but I have really felt it in my own life, in the 25 or 30 years I’ve been in this… The goal is the process, really enjoying the process.”

“To have those magical moments, the ones that require real trust or bravery or letting go, you’ve really gotta swing for the rafters! You’ve got to try and hit it out the park — although you might miss. You’re always trying to hit it into the rafters, and damn the consequences if you don’t make it.”

“I hope the scale of my works is way bigger than what you see. I hope they live in you.”