Film Interviews

“You don’t have to please everybody. As long as you and the people whose opinions you respect are comfortable and happy with it, then… keep going! Keep making that weird stuff.”

“I have the freedom to express myself. And it doesn’t matter if somebody’s going to pay me or pat me on the back for it. I chose to do things that I embrace, that I feel passionate about for whatever reason and I create my freedom around that.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“Having come out as a gay man and the self-confidence that gives you is huge! It affects every aspect of your life, including my work. People like honesty. They respect honesty. And my film career took off once I came out.”

“I give my best performances when I am almost snapping. It is like tuning a violin. You want that note from a string so you tune it until it almost breaks – but then you get that note. It is dangerous, but it is also sublime.”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“If you have to defend something that you like, it makes you to like it even more. My parents hated the comic strips, they hated rock ‘n’ roll, and when they found out what movies I was going to they also were against that. So everything I loved I had to defend.”

“I was always trying to innovate; I don’t like repetition. Time is something that changes every moment, it’s never repetitive — I try to follow this example.”

“It’s a huge peace to allow yourself to be vulnerable. You gain a sense of freedom and understanding and forgiveness for being human. Instead of trying to control things and make it the way you want them, you have to be more open.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“If I knew that tomorrow a meteorite would destroy our planet, I would start shooting a new film today.”

“At what point do you feel you’ve achieved it and you can move on? I think you usually have to start thinking, ‘So what’s next?’”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“I feel very lucky. There is luck behind me, there’s luck in front of me, there’s luck ahead of me. But that is a perspective that requires a lot of work. It doesn’t come naturally.”

“In life it’s about opening yourself up. It’s about tapping into your instincts and your energies. I think I got very good at that. I have to be open and I have to be open to the possibilities.”

“I learned by doing. The rest is doing experiments and testing and not giving up. If something is not satisfying start again, turn everything upside down and find a new formula for printing. Everything is learning by doing.”

“I think my photographic career has been one of growing, learning, experimenting and trying different things. That was a big journey for me! It’s always a progression, it’s about challenging the idea of what photography is.”

“My whole purpose in life is to communicate what I’m doing. I see myself as a modern nomad and a soldier at the same time. Being mainstream won’t change me because once I have something to perform, a task, then I’m a soldier. And I’ve always been a soldier.”

“I think every person who is curious is more fascinating, and exploration is a big part of that. If you know everything in advance, if you're too self-confident, then everything will stop at some point.”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”

“One of the reasons why I have this much success is because I’m hard on myself. Until now, I never really saw myself as a talented chef! I don’t take the easy way. I put in the time. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”

“I think you know when you’re playing it safe, when you’re stagnating, and when you’re growing. It’s probably an ongoing thing for all of us — and a tricky balance. I try to learn at least one thing on every album, to reach out. I become my own teacher.”

“I think as you are growing up, deciding what you want to do is really the process of elimination rather than gravitating towards something until you land on what really makes you happy.”

“I think my love of pushing the boundaries in film comes from my desire as a kid to do something artistic that would amaze people. I wanted to do nothing less than that. Those are the projects that I love: figuring out what might just be possible but hasn't been done yet.”

“I never thought of art as a career. I thought it was more like a monastic practice. It is something that you do – you can't not do it. If I made money doing it, I would do it; if I didn't make any money, I would do it. Obviously I’m not perfect but the thing I am best at is painting.”

“It’s important to say no – especially earlier in your career – because life is short and you want to be proud of things that you have done, not ashamed of them.”

“I don’t want to be pigeonholed — it’s important to keep evolving, experimenting and reinventing yourself, otherwise it’s like hitting a drum, the same note over and over again. I think you should want to change, to try different things.”

“I really lacked confidence at the very beginning. At first I was quite intimidated! I wasn’t accepted in the kitchen initially, I wasn’t part of the system; the other chefs didn’t welcome me. But in the end, those experiences made all the difference. It freed me.”

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“If people don’t like the pictures, I don’t care. To me, there’s only one point of view: that’s mine.”

“I act on intuition. I just let my intuition go in situations of fear. I live from my heart. I will continue doing things the way I have done them my whole life. And it gave me mostly a great time.”

“Right now we are 40 people working in Osteria Francescana, for 28 or 30 covers a night. So, it’s totally the opposite of a business. You cannot survive with that. But we believe in those kinds of dreams and so I keep investing, and reinvesting, and reinvesting.”

“You can work hard at this skill forever, you never reach the end; you never are a master, you’re never done. Writing is endless and I like that. I like that you can never conquer it.”

“Everyone’s life comes to an end. We’re all going to come to the same fate. So you just keep going while you can, doing what you like.”

“I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. I’ve always been disciplined and I’m still nothing if not conscientious.”

“I don’t regret anything. I feel that I’ve made what I would call mistakes. But everything you do is a part of you. And you get something from it. The idea and excitement of being in these situations and places — they are more than just memories, they inform your life.”

“It’s been a lot harder than I thought it was going to be to make the films I really dream of making. It’s heartbreaking when that happens, but it’s all okay. It requires patience.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”