Fashion Interviews

“If you’re doing one thing, you can burn yourself out. But for me, if ever one of those things burnt out, I would have moved to another one. So it makes it difficult but it makes it possible to keep going.”

“I think as you are growing up, deciding what you want to do is really the process of elimination rather than gravitating towards something until you land on what really makes you happy.”

“In life it’s about opening yourself up. It’s about tapping into your instincts and your energies. I think I got very good at that. I have to be open and I have to be open to the possibilities.”

“I used to tease the other kids because I played better than them. Then my father said, ‘Come here. Don’t do this with the kids, because God gave you the gift to play football. You didn’t do anything. You have to respect people, be a good person. From now on, you must be this example.’”

“I don’t like plan Bs. If you don’t have a plan B, then you can’t take plan B. Don’t give yourself an out.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“I feel very lucky. There is luck behind me, there’s luck in front of me, there’s luck ahead of me. But that is a perspective that requires a lot of work. It doesn’t come naturally.”

“I am less anxious to have a successful career. There were times when I was anxious — even in the past, people said, ‘You make successful films.’ But my films were never successful. Even The Godfather got a terrible review. My films did better over time.”

“I don’t think I’m ever going to stop wanting to see and experience things. I think the day that you don’t long for that anymore is the day you have kind of given up.”

“Sometimes when you lose faith and you understand that something will never be possible the way that you dreamed, but you keep trying, suddenly one thing flips and everything re-accommodates. It totally flows. You don’t give up — and suddenly it’s almost a transcendental thing.”

“Follow the things you love! Follow the things that you are intensely passionate about. Follow the things that you like to do, which often to others might seem unimportant.”

“My whole purpose in life is to communicate what I’m doing. I see myself as a modern nomad and a soldier at the same time. Being mainstream won’t change me because once I have something to perform, a task, then I’m a soldier. And I’ve always been a soldier.”

“I think an ambition as a performer, and maybe even in life, is to become less afraid. Some boundaries are necessary of course and some are accepted, but the ones that I don’t want, I want to remove.”

“I act on intuition. I just let my intuition go in situations of fear. I live from my heart. I will continue doing things the way I have done them my whole life. And it gave me mostly a great time.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was sixteen and my work is my life and my life is my work. It made me who I am.”

“You can work hard at this skill forever, you never reach the end; you never are a master, you’re never done. Writing is endless and I like that. I like that you can never conquer it.”

“I think the final circle in being an artist is connecting, making some conversation to the world you’re in. I think if you have that feeling of why you need to do something, you’ll find a way. And I think that really takes you forward! If you’re feeling that, maybe other people need that to.”

“I work till the breath goes out of me, and that might be at one or two or even four or five (in the afternoon). The point is that you must work every day if you ever expect to let the vision take hold of you.”

“Everybody is amazing at something — some people write music, some people are leaders, some people raise children, some people cook food. If you find what it is that you can offer to your fellow.”

“The recognition of luck is extraordinarily important — as well as making the best of it and creating to the best of your capabilities on that one opportunity you’re given so that it doesn’t end up in the museum of errors.”

“I think you have to slow down a little bit. But I am just trying to make work; I am just out there making work. I take care of myself so that I can survive. I used to not take care of myself so well, but now I do.”

“I think when you’re an artist who’s been around for a while like I have you understand that it’s almost impossible to make work that is unanimously loved or understood! You can’t please everyone, and that is a great realization.”

“Life is struggle. Life is about struggle. You’re not supposed to be happy all the time. It’s about challenging yourself and pushing yourself, you know? You become content. That’s not happiness.”

“You’re always looking for a second chance. You’re always looking to do a little bit better than you did the last time. And you hope that the readers will stay with you.”

“Everyone’s life comes to an end. We’re all going to come to the same fate. So you just keep going while you can, doing what you like.”

“My work and my life are the same thing to me. I don’t have a life on one side and work on the other side. My entire life has been my work. I don’t have a family, I am by myself, I have made very strict choices.”

“I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. I’ve always been disciplined and I’m still nothing if not conscientious.”

“At what point do you feel you’ve achieved it and you can move on? I think you usually have to start thinking, ‘So what’s next?’”

“You have to open yourself. Just as in life you have to be open to other people, to other perspectives — it’s the same thing when you write. That’s what religion’s about, that’s what literature’s about, it’s what life’s about: the stories that you build.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“I really lacked confidence at the very beginning. At first I was quite intimidated! I wasn’t accepted in the kitchen initially, I wasn’t part of the system; the other chefs didn’t welcome me. But in the end, those experiences made all the difference. It freed me.”

“I think my photographic career has been one of growing, learning, experimenting and trying different things. That was a big journey for me! It’s always a progression, it’s about challenging the idea of what photography is.”

“It all comes down to realizing how good you are and really consciously working with that. I think as an artist we always try to hide the imperfections. But the imperfections are there because we’re all humans, and this is what makes us interesting.”

“I don’t want to be pigeonholed — it’s important to keep evolving, experimenting and reinventing yourself, otherwise it’s like hitting a drum, the same note over and over again. I think you should want to change, to try different things.”

“I think every person who is curious is more fascinating, and exploration is a big part of that. If you know everything in advance, if you're too self-confident, then everything will stop at some point.”

“In your life there’s a moment when the door opens and you need to walk through the door then. You can’t say then, “Well, I’ll go through it two years from now. I’ll do it, I’ll save up some money...” Because by then the door will be closed.”

“I would say that a strong work ethic is a vital ingredient for success. That’s something I was born with, I’m convinced of it; it was nothing that I acquired. If you take on anything, you try to do it your best.”

“The only thing that you have to be very sure of is that nothing can go wrong. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”