All Interviews

“You have to open yourself. Just as in life you have to be open to other people, to other perspectives — it’s the same thing when you write. That’s what religion’s about, that’s what literature’s about, it’s what life’s about: the stories that you build.”

“You can work hard at this skill forever, you never reach the end; you never are a master, you’re never done. Writing is endless and I like that. I like that you can never conquer it.”

“I work till the breath goes out of me, and that might be at one or two or even four or five (in the afternoon). The point is that you must work every day if you ever expect to let the vision take hold of you.”

“I always try to concentrate on the process and where the real goal is, which is trying to get up every day and be the best possible version of myself and do the best work I can do.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“It’s been a lot harder than I thought it was going to be to make the films I really dream of making. It’s heartbreaking when that happens, but it’s all okay. It requires patience.”

“In life it’s about opening yourself up. It’s about tapping into your instincts and your energies. I think I got very good at that. I have to be open and I have to be open to the possibilities.”

“If you’re doing one thing, you can burn yourself out. But for me, if ever one of those things burnt out, I would have moved to another one. So it makes it difficult but it makes it possible to keep going.”

“I always say ideas drive the boat. Ideas are a huge, huge blessing. That’s the thing you try to catch – an idea that you fall in love with. The whole thing doesn’t come at once, but fragments of things come and these fragments form themselves into a script. It’s a process.”

“Art is something about everyday life. Art is about finding creativity in the normal gutter next to you. To see the potential in something where there is no potential is often where art or creativity is a great tool. It’s about making the impossible possible.”

“Failure is just something you have to go through on your own. Nothing can prepare you for it, just like a broken heart. I thought about folding, but I’m not a quitter. I’m not going to quit.”

“Architecture is the oddest profession. In the beginning you're very much involved in finding your voice and locating yourself artistically. For 25 years you're working with small projects, domestic projects. And then you mature at 50 and you're given your first projects.”

“Everybody is amazing at something — some people write music, some people are leaders, some people raise children, some people cook food. If you find what it is that you can offer to your fellow.”

“If people don’t like the pictures, I don’t care. To me, there’s only one point of view: that’s mine.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was sixteen and my work is my life and my life is my work. It made me who I am.”

“I’m doing things more personally than ever before because that’s what my project is based on, that’s who I am and I have never been this happy my whole life — but it was a long road to get here.”

“When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”

“I was always trying to innovate; I don’t like repetition. Time is something that changes every moment, it’s never repetitive — I try to follow this example.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“I act on intuition. I just let my intuition go in situations of fear. I live from my heart. I will continue doing things the way I have done them my whole life. And it gave me mostly a great time.”

“Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. And then when we’re performing, I want to do it a bit more. There’s no reason we can’t.”

“You’re always looking for a second chance. You’re always looking to do a little bit better than you did the last time. And you hope that the readers will stay with you.”

“I have a moral standard of my own. I know the difference between right and wrong, I know what I feel comfortable with. And if you live up to your own moral standard, you’re going to have a more comfortable life.”

“If you work with somebody for a long time, you have to challenge them otherwise you jeopardize your relationship. You have to constantly reinterpret your work together and provide a new vision of your relationship.”

“I think as you are growing up, deciding what you want to do is really the process of elimination rather than gravitating towards something until you land on what really makes you happy.”

“You don’t have to please everybody. As long as you and the people whose opinions you respect are comfortable and happy with it, then… keep going! Keep making that weird stuff.”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“I give my best performances when I am almost snapping. It is like tuning a violin. You want that note from a string so you tune it until it almost breaks – but then you get that note. It is dangerous, but it is also sublime.”

“I don’t think I’m ever going to stop wanting to see and experience things. I think the day that you don’t long for that anymore is the day you have kind of given up.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“I think when you’re an artist who’s been around for a while like I have you understand that it’s almost impossible to make work that is unanimously loved or understood! You can’t please everyone, and that is a great realization.”

“Just about anything is possible if you can find the map or the blueprint to get there. I think you’re only limited by your imagination.”

“As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.”

“Having come out as a gay man and the self-confidence that gives you is huge! It affects every aspect of your life, including my work. People like honesty. They respect honesty. And my film career took off once I came out.”

“I’ve been through some incredibly tough times in my career but I persevered and came out the other side. And that teaches you strength, how to handle being put under pressure. Experience is a big thing — just knowing that you can pull yourself back up again.”

“It’s important to say no – especially earlier in your career – because life is short and you want to be proud of things that you have done, not ashamed of them.”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“One of the reasons why I have this much success is because I’m hard on myself. Until now, I never really saw myself as a talented chef! I don’t take the easy way. I put in the time. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”

“I think it’s so good to try new things and open the window and let some fresh air in and try to eliminate any regrets.”