All Interviews

“I think as you are growing up, deciding what you want to do is really the process of elimination rather than gravitating towards something until you land on what really makes you happy.”

“I am tireless, I’m relatively fearless. It’s hard to hear “no” all the time. It can be tough; you have to have the stomach for it.”

“I don’t like plan Bs. If you don’t have a plan B, then you can’t take plan B. Don’t give yourself an out.”

“I’m doing things more personally than ever before because that’s what my project is based on, that’s who I am and I have never been this happy my whole life — but it was a long road to get here.”

“When you’re young so many things happen and it’s really hard, but you have to fight. Sometimes to get what you want you need to have a really strong past to make sure that you become a warrior and you are not scared about anything and you fight through the night.”

“There is something quite beautiful with the art thing, that you can only hold it back for so long and then you have to do it.”

“I was a soldier in Korea and I got into a situation where I knew I was going to die. The rest of my life I have lived every bloody moment from the moment I wake up until the time I go to sleep.”

“To be an artist, you must start with a considerable drive; in my case it was a fierce madness, a wildness. I think that’s the mark of an artist, actually, that they are rebellious, unruly… And I was one of them myself.”

“Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. And then when we’re performing, I want to do it a bit more. There’s no reason we can’t.”

“Wherever any of us have been wounded, if we dive into what those wounds are, if we go down into and do the hard work within those wounds, we’ll actually find ourselves, we’ll find our real giftedness, a sincere, true giftedness.”

“I think you know when you’re playing it safe, when you’re stagnating, and when you’re growing. It’s probably an ongoing thing for all of us — and a tricky balance. I try to learn at least one thing on every album, to reach out. I become my own teacher.”

“There is a thing called discipline. If you really want to do it, you’ve got to put in the work. Work, work, work, work. Practice, practice, practice, practice.”

“If you’re doing one thing, you can burn yourself out. But for me, if ever one of those things burnt out, I would have moved to another one. So it makes it difficult but it makes it possible to keep going.”

“If you are ambitious, you are running in a tunnel that never ends. You will always find something new to go after.”

“I think you get more confident as you get older. You realize what your strengths and weaknesses are and you’re more okay with your weaknesses and you value your strengths more. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”

“I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”

“At what point do you feel you’ve achieved it and you can move on? I think you usually have to start thinking, ‘So what’s next?’”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“Follow the things you love! Follow the things that you are intensely passionate about. Follow the things that you like to do, which often to others might seem unimportant.”

“I just keep imagining myself thirty years from now thinking, ‘Why didn’t you take advantage of all the opportunities you had? Look at all the people you could have worked with, the roles you could have done. Go for it.’ And that’s what I am thinking.”

“Risks are very important to me. It’s the only thing that will define the next career move or else I’ll be plateauing. I’ll be completely stale if I don’t take risks. And that’s not just my career.”

“I try not to look back. I’m looking forward. I’m worried more about what I’m going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.”

“One day I realized that it didn’t matter whether people loved me or not. I was released of all that insecurity when I released myself from that fantasy and came to the conclusion that I could be happy making music regardless of whether I was successful or not.”

“I think you have to slow down a little bit. But I am just trying to make work; I am just out there making work. I take care of myself so that I can survive. I used to not take care of myself so well, but now I do.”

“It’s easy to have inspiration and have a vision and an aesthetic, but if you don’t have the execution and you don’t get it out there properly and on time, it doesn’t matter. It’ll sink.”

“The more experience you have, the more time you’ve spent on this earth, the more regrets you accumulate. It’s normal. You can’t do everything right, nobody’s perfect. But if you think too much about that, you’re not here. You have to make some efforts to stay open-minded.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“The recognition of luck is extraordinarily important — as well as making the best of it and creating to the best of your capabilities on that one opportunity you’re given so that it doesn’t end up in the museum of errors.”

“It’s a huge peace to allow yourself to be vulnerable. You gain a sense of freedom and understanding and forgiveness for being human. Instead of trying to control things and make it the way you want them, you have to be more open.”

“Of course we all do stupid things when we're young, but that's your way to find boundaries, you know. Have I done stupid things I regret? Yeah. But I can learn from those mistakes and grow. That's what it’s all about.”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“I never have been into trends. Not now or then! I was born like that, in fact, if I see too much of something, I change it. I like independence. I love the eccentrics. Find your style and stick to it.”

“I don’t want to only do what I know how to do. I want to be pushed somewhere else.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“Art is something about everyday life. Art is about finding creativity in the normal gutter next to you. To see the potential in something where there is no potential is often where art or creativity is a great tool. It’s about making the impossible possible.”

“I like the accidents, the things that happen by chance. I let the life come to the picture and the creativity flow.”

“I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. I’ve always been disciplined and I’m still nothing if not conscientious.”

“One of the things that I’m striving for is an authenticity, to do things which feel natural and make choices which feel authentic and real. I think in a way you sort of can’t help sounding like yourself. You can’t help but put yourself into your work.”

“You’re always looking for a second chance. You’re always looking to do a little bit better than you did the last time. And you hope that the readers will stay with you.”

“I am less anxious to have a successful career. There were times when I was anxious — even in the past, people said, ‘You make successful films.’ But my films were never successful. Even The Godfather got a terrible review. My films did better over time.”