Interview Directory

“I’m doing things more personally than ever before because that’s what my project is based on, that’s who I am and I have never been this happy my whole life — but it was a long road to get here.”

“I have to free myself from my creation, I have to send it off, I have to give it up. And that is also the beauty, that you pass on something, that you let something live, that you allow it to confront. To get in contact with others.”

“When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”

“Making something or creating something is about looking and exploring the potential, and I want to do that right up until the day of the performance. And then when we’re performing, I want to do it a bit more. There’s no reason we can’t.”

“It all comes down to realizing how good you are and really consciously working with that. I think as an artist we always try to hide the imperfections. But the imperfections are there because we’re all humans, and this is what makes us interesting.”

“I just want to do everything as good as I possibly can but it is also good to act on an idea and fail — and then you get something out of it. I think it’s really important to not be afraid of failure and to push yourself to try things and jump in the cold water.”

“I think you always have to have risk when you’re creating a piece of art. Without that, I don’t understand really what the drive is to succeed. It’s the risk factor that, weirdly, keeps you feeling safe. It keeps you on your toes.”

“As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.”

“Everyone’s life comes to an end. We’re all going to come to the same fate. So you just keep going while you can, doing what you like.”

“I give my best performances when I am almost snapping. It is like tuning a violin. You want that note from a string so you tune it until it almost breaks – but then you get that note. It is dangerous, but it is also sublime.”

“Each of my projects is kind of a marathon run. A lot of them won't make it to the finish line and the only reason they make it is because I go back and nurture them and try to figure everything out.”

“I wouldn’t ever compromise on the essential, on the essence of a project, the ideas or the themes.”

“The only thing that you have to be very sure of is that nothing can go wrong. You can’t get in the way of the whole thing by messing it up with great ideas or smart moves. Absolute trust is, I think, the crucial ingredient.”

“I feel very lucky. There is luck behind me, there’s luck in front of me, there’s luck ahead of me. But that is a perspective that requires a lot of work. It doesn’t come naturally.”

“Part of being a designer is to fail every day, to try things that don’t work out. In a way, every project fails every day until it succeeds! That’s what the iterative process of design is about. Timing in many ways is key.”

“I think the final circle in being an artist is connecting, making some conversation to the world you’re in. I think if you have that feeling of why you need to do something, you’ll find a way. And I think that really takes you forward! If you’re feeling that, maybe other people need that to.”

“I don’t like plan Bs. If you don’t have a plan B, then you can’t take plan B. Don’t give yourself an out.”

“There is a thing called discipline. If you really want to do it, you’ve got to put in the work. Work, work, work, work. Practice, practice, practice, practice.”

“Everybody is amazing at something — some people write music, some people are leaders, some people raise children, some people cook food. If you find what it is that you can offer to your fellow.”

“I don’t want to only do what I know how to do. I want to be pushed somewhere else.”

“I was a soldier in Korea and I got into a situation where I knew I was going to die. The rest of my life I have lived every bloody moment from the moment I wake up until the time I go to sleep.”

“I have the freedom to express myself. And it doesn’t matter if somebody’s going to pay me or pat me on the back for it. I chose to do things that I embrace, that I feel passionate about for whatever reason and I create my freedom around that.”

“Even though I wanted to be minimal, for the first 20 years in my career all I did was add things; more courses, more ingredients. Only three years ago I was confident to start focusing on removing, and this is when I finally created a dish where I felt like I achieved what I tried to do for 23 years.”

“My work is integrated completely into my life and vice-versa – I’ve been working since I was sixteen and my work is my life and my life is my work. It made me who I am.”

“It’s hard to watch the misses, it’s hard to be criticized. But you’re always trying to hit it into the rafters, and damn the consequences if you don’t make it.”

“One of the reasons why I have this much success is because I’m hard on myself. Until now, I never really saw myself as a talented chef! I don’t take the easy way. I put in the time. From the age of 17 until 23, I didn’t take any vacations, I had almost no days off.”

“You better make every moment count. Live your life now; start in the morning. You mustn’t sit around waiting to die.”

“I can’t make people happy if I’m not happy myself. That applies to anyone who tries to achieve something in their life: if you’re not happy, you can’t transfer any happiness to anyone else.”

“I think when you’re an artist who’s been around for a while like I have you understand that it’s almost impossible to make work that is unanimously loved or understood! You can’t please everyone, and that is a great realization.”

“I have an irrational fear of boredom. That’s why I now have this tattoo that says “Carpe Diem.” That’s what we should live by!”

“Sometimes when you lose faith and you understand that something will never be possible the way that you dreamed, but you keep trying, suddenly one thing flips and everything re-accommodates. It totally flows. You don’t give up — and suddenly it’s almost a transcendental thing.”

“I think my photographic career has been one of growing, learning, experimenting and trying different things. That was a big journey for me! It’s always a progression, it’s about challenging the idea of what photography is.”

“When I was training as a ballet dancer, I know that I was often tired or in pain, but you just work through it. You go home crying and your parents almost want you to quit but then you just do it. And I use that stamina now as an actress because it’s normally quite uncomfortable to make films.”

“I think that when you’re a creator, you set out to create the perfect thing, but the idea of reaching that kind of creative nirvana — that’s something that you should never quite reach.”

“You can look at these tough times as an opportunity to get closer and to learn from each other. I learned a lot from my wife. There are so many things that pop up. If you are paying attention, you can learn every second of the day. Life is my guru.”

“To be an artist, you must start with a considerable drive; in my case it was a fierce madness, a wildness. I think that’s the mark of an artist, actually, that they are rebellious, unruly… And I was one of them myself.”

“It’s a huge peace to allow yourself to be vulnerable. You gain a sense of freedom and understanding and forgiveness for being human. Instead of trying to control things and make it the way you want them, you have to be more open.”

“It’s important to say no – especially earlier in your career – because life is short and you want to be proud of things that you have done, not ashamed of them.”

“I follow the beat of my own drum. I think I’ve gotten more confident and self-trustful in my ability and my natural appetite for play, and not over-adorning it with anything. I’ve always been disciplined and I’m still nothing if not conscientious.”

“There is something quite beautiful with the art thing, that you can only hold it back for so long and then you have to do it.”