Emerging Masters

“I dreamed of winning the Olympics since I was nine years old. That was definitely the most memorable race of my career. But the next day I woke up, and I wanted to win the next race.”

“If it sounds right, then I’m happy, no matter how I got there. I just want to make beautiful music.”

“I do not consider architecture as art, nor do I consider architects to be artists. However, I do have a strong desire to improve the purity of my expression and put a strong message into my architecture so that I can call it art!”

“We are consumed with existence, mortgages, jobs, cars, houses. It is nice to allow the imagination room to breathe again and see life as something that is spectacular and magic.”

“I want to be an authentic person. I start to feel that it’s a mission. I am not going to hold back on an opinion I have about something; I don’t know what the point of that would be.”

“If I pass away one day, I am happy because I tried to do my best. My sport allowed me to do so much.”

“I think the mark of a great song, photo or a painting is something you can remember. It’s kind of that simple. If you work at it, there will be times when the intangible becomes tangible and for a moment… You are a wizard.”

“The game of basketball means everything. This is love. Definitely love. I had to practice and I had to make sacrifices, but basketball has given me so much.”

“The guys who are real artists are people who have figured out the art of living; their art is art because they live. They have made living an art, they have made an art of living. They are constantly inputting life as opposed to expressing life.”

“It’s the rollercoaster ride of doing something creative: when it goes well and you enjoy the process then it’s a high and you just want to keep on doing it.”

“I don’t pander to anybody. I don’t care who it is. I just do the picture I do.”

“As a director, what I hope is to create situations where the actors will be able to be alive like real people even in the context of something that is quite manufactured.”

“To have those magical moments, the ones that require real trust or bravery or letting go, you’ve really gotta swing for the rafters! You’ve got to try and hit it out the park — although you might miss. You’re always trying to hit it into the rafters, and damn the consequences if you don’t make it.”

“I remember driving in New York in 1976 and I put the brakes on quickly because there was the very, very first Vogue cover that I ever shot. Big, on a bus shelter! And I remember just pulling over and just staring at it. At that point it was a real dream to see one of your pictures there. I’d always dreamed of doing a Vogue cover!”

“I think the final circle in being an artist is connecting, making some conversation to the world you’re in. I think if you have that feeling of why you need to do something, you’ll find a way. And I think that really takes you forward!”

“when we finally put a piece together for the first time, seeing it all together, when it actually works… The excitement in the room is something I’ll never forget. It feels like a very powerful moment to be part of.”

“I knew what felt instinctively right for me, and I pursued that throughout my entire career. It’s the way I live; it’s the way I work. Everything that I’ve done and everything that I have is an extension of my personal taste.”

“Although sometimes I feel tired and think I ought to give it up, I don’t want to just retire. No, I enjoy it all and you just keep going until the day comes when you can’t do it anymore.”

“I take everything as seriously as the next thing. I don't differentiate or have a level of commitment based on the kind of project that it is. I believe that there's an equal measure in one role versus another role.”

“We’re going after it. We’re going after what we believe and what we deserve and we’re not taking the back seat anymore. I see an improvement in the way that we as women are standing together and paving the way for the next generations. It’s time for that.”

“It’s still astounding to me that I have one Oscar, let alone two. Especially because it’s by-product of something that you love so much, it feels like that’s already the gift, that’s already the award.”

“I hope the scale of my works is way bigger than what you see. I hope they live in you.”

“The journey is everything! It’s a cliché, but I have really felt it in my own life, in the 25 or 30 years I’ve been in this… The goal is the process, really enjoying the process.”

“It was eye opening and an education really, a masterclass working with Martin Scorsese on Killers of the Flower Moon. That talent! Of course, you are in the presence of a master, working with him.”

“I think it’s just been a long slow burn. I’ve worked fairly consistently, and I’m really grateful — even for the years of not getting so many acting jobs because that means I really appreciate being able to do what I love now.”

“I think we've all lived through the pandemic and it has awakened in all of us a concept of time, and how fleeting our time is and can be... I want to apply my energy doing good and creating and hopefully not squandering that. That's what I live for.”

“I’ve been very fortunate, and I don’t know why, but my shoes don’t have a special time period. I don’t design them with that in mind but it happens: timelessness. I have been absolutely gifted by that.”

“The bottom line in the end is to grab the heart of the audience and talk to them directly and tell them: "I share with you my soul and my heart."”

“I think it comes from my desire as a kid to do something artistic that would amaze people, you know? I wanted to do nothing less than that. Those are the projects that I love: figuring out what might just be possible but hasn't been done yet.”

“I’m 80 years old now, and little by little over your lifetime you begin to understand things that you didn’t understand earlier.”

“I’m surviving. I do everything I can to speak out and make sure that I keep my humanity.”

“I thought for a long time as the business grew, “Is this something I want to do for the rest of my life?” And I knew it was not. When I left Calvin Klein, I had done almost everything I wanted to do in terms of creation of products. And re-doing was less fun.”

“The success of translating an idea into action is very often where the talent is to be found. If you can give a body to the idea, I think you are onto a very interesting process.”

“Every time you hear a piece of music that you’ve written, you remember the joy of it. Even if you don’t remember exactly what the writing process was like, there’s a moment where you hear it and your heart is full. It’s a similar emotion like when you are in love with someone, you feel that internal joy.”

“I live from my heart. I am not a cerebral person. I will never be. I am 55 years old. I will continue doing things the way I have done them my whole life.”

“You can catch ideas at a deeper level when you start meditating. Intuition grows, and intuition is the number one tool for an artist – feeling and thinking combined. The ideas are flowing, and the feeling that you can get it to feel correct. You know what that is. It’s a knowingness that grows. It’s really beautiful.”

“The entire aim of my work is to elevate the human spirit.”

“I have a responsibility that lasts a lifetime with my children. They know that I love my work, and they know how I go about it. And I hope that they find work that they love, because nothing can compare to watching your child succeed.”

“I am Valentino. I live in my own world. I love to create clothes, I love beautiful things. If they want to call me an icon, okay, then I am an icon.”

“When you keep yourself open, you just might get to know yourself and know the good things about yourself. And that's why I always come back to songwriting. It's the way I kind of try and make sense of my life.”